December 27, 2013

Wonder women sex, power and the quest for perfection by Debora L Spar





Wonder women sex, power and the quest for perfection by Debora L Spar


Debora Spar, the current president of Barnard College, depicts the life of women through-out the history and the current state of women in her wonderfully written book, ‘Wonder  women: sex, power and the quest for perfection’

Prior to the Renaissance, the very notion of courtship made little sense. In most parts of the world, across time, religion and political regime, women were viewed essentially as property - commodities for their fathers to barter away and their husbands to use. Spread of Augustinian Christianity across Western Europe quietly redefined the role women played and the freedoms they might enjoy. Because Christian societies increasingly say women as wives and mothers rather than property, and because they placed such importance on procreative sex, the areas of the former Roman Empire slowly began to cede greater rights to women. Lust in all its forms was forcefully condemned. And women’s lust, seen as it was as the vestige of Eve’s original sin, was particularly suspected. As a result, women living during the long centuries of the middle Ages were free to love, but only chastely, following the dictates of their husbands, their Church and their God.

During the Victorian era, it was a time when men’s foremost responsibility in the sexual realm was to control their own passions and when women were expected only to suffer quietly and bear children. History records these sentiments most famously in Queen Victoria’s wedding night advice to her daughter. “Lie back” she is said to have counseled the young princess “and think of England”... The bargain, then, for Victorian women was straightforward and rather sweet: sex in exchange for a lifetime commitment of love.

This connection between love and lust - between sexual intimacy and long-term attachment - because a hallmark of social relations in the twentieth century, shaping most American's basic conception of what it meant to want and woo and marry.

Smart, confident, attractive and bold - are hitting their teenage years with more expectations piled upon them than any magic wand could ever dispel. to excel at school, at sports, in theater, be original, be a leader, but stay popular, start an NGO and a blog, Have sex but don't get pregnant and never go beyond those size 4 jeans. You supposed to do all these things and no go insane.

One quarter of American girls are depressed, twice as many girls as boys attempt suicide. It is important to be hot than smarter. By the time they hit puberty, their self confidence is starting to plummet.

Free to be by Letty Cottin Pogrebin wrote: "We want fantasy without illusion; stories of excitement without cruelty or violence... a literature of human diversity that celebrates choice and does not exclude any child from its pleasures because of race or sex.."

The question, however, is whether this freedom has come at a cost. Clearly, women today can engage in acts that would have made their mothers blush. They can enjoy their bodies without shame and have sex largely without fear of pregnancy. They face none of the stigmas that paralyzed women in the past and suffer, accordingly from far fewer inhibitions. In exchanging simply sex for sex, women are truly playing the same game as men and often; it appears, with the same relish and abandon. “Just like tasting ice cream flavors” one website promises, “sampling sex with a new guy is what being young and single is all about”.

Yet unless women actually enjoy casual sex as much as men do, and unless they are equally content with no-name, no-commitment relationships, they are equally content with no-name, no-commitment relationships, they still, in retro respect, may have struck a deal that works against their own best interests, Because, crude though, it may sound, women arguably had more leverage over men whom they had the ability and inclination to deny them sex. Presumably, women had greater resources when dating still involved a little bit of financial foreplay. So, what then, have young women gained in their pursuit of liberty? And was it worth the price?


 There is no single book or film can truly be said to capture the sexual revolution in its essence. Still, two books emerged during this period that seems to have both bracketed the revolution and fomented it - two books that told women what was now theirs to claim.

The first, Helen Gurley Brown’s ‘Sex and the single Girl’, was published in 1962, right at the revolutions outset and one year before Betty Friedan’s far more serious ‘The Feminine Mystique’. Rather than bemoaning the status of women, brown embraced her readers with a perky self-confidence, offering makeup tips, wardrobe advice, and recipes. In between she also urged them to have sex - frequently on their terms and way before they were married. “I think marriage is insurance for the worst years of your life. During your best years you don’t need a husband. You do need a man of course every step of the way, and they are often cheaper emotionally and a lot more fun by the dozen. Sex is a wonderful delicious and even, if necessary, employed against men”, she said.. This was sex as women’s power for the very first time in print; sex that was truly revolutionary in its impact.

The second monumental voice of the sexual revolution was ‘Fear of Flying’ a novel that would eventually sell more than 18 million copies and captures the voice, or at least the guilty dreams, of an entire generation. In ‘Fear’, he fictional Isadora Wing famously describes her fantasy of the zipless fuck, an encounter that is both explicitly sexual and wholly impersonal. This particular fuck, author Erica Jong wrote, “Was more than a fuck. It was a platonic ideal. Zipless because when you came together zippers fell away like rose petals, underwear blew off in one breath like dandelion fluff. Tongues intertwined and turned liquid. Your whole soul flowed out through your tongue and into the mouth of your lover”. From the perspective of 40 years, it is interesting to note that Wing is actually describing something not all different from the yearnings voice by her Victorian ancestors. Because it’s kissing, after all, and romance, and garments blown round like flowers. No, what really defined the zipless fuck and made Isadora’s fantasy so radical was that the relationship was shot and the man essentially anonymous. The unnamed soldier makes love to the young widow in the speeding train and then parts silently from her. Sex isn’t just about sex to Isadora, it’s about freedom. About passion, About choice, And it has nothing to do necessarily with either romance or commitment.
In the 70s, girls wanted assurance from their lover before indulging in sexual affairs and the Meat Loaf’s song, Paradise by Dashboard light portraits those lives succulently:

Do you love me ? Will you love me forever?
Do you need me? Will you never leave me?
Will you make me so happy For the rest of my life?
Will you take me away? And will you make me your wife?
- Meat Loaf, “Paradise by the Dashboard Light,”, 1977

Today kids as young as 12 and 13 are regularly reported to be attending “rainbow parties (at which girls wearing different shades of lipstick take turns performing oral sex on boys) or engaging more directly in sexual behaviors that include oral sex. The old base system - a kiss for first breast for second, groping for third and intercourse for home- has rendered utterly obsolete, replaced by a shifting game whose rules are not quite clear.

Meanwhile, the dating culture that persisted from around the turn of the 20th century to its waning years seems almost to have disappeared, replaced - for better or worse - by “hooking up”. Young men in high school and college no longer ask young women out on dates. Couple doesn’t go out or go steady”. Instead, boy meets girl at a party or frat house or bar and takes her home (college apartment) for sex. Hook-up can be a kiss on the lips o full-on sex. The most useful is the depiction presented in Andrea Lavinthal and Jessica Rozler’s Hookup Handbook is the following:

Girl A sort of known Boy B (may be were in the same Psych 101 class, have mutual friends)
Girl A goes to the bar with her friends, and boy B goes out to the same bar with his friends.
Girl A stands in one corner on the bar, downs cosmopolitans, screams the words to ‘like a Prayer’ at the top of her lungs and pretends to ignore boy B.
Boy B stands in another corner of the bar and chugs beer with his friends
When girl A finally gets enough courage (drunk enough!), she approaches boy B and says, “Hey, what’s going on?”
When boy B finally realizes that girl A is the best he’s going to do tonight, he answers, “Nothing’”
The two proceed to make out at the bar and then go back to his place and ‘hook up’.

The hooking-up culture, by comparison, seems perfectly content to let boys be boys - esp. if they are well-muscled and tousle-haired and drive nice car. Men are hot’ rather than oppressive in hookup-land; desirable than despicable. In practice, though, it also means that women are no longer in a position to ask for anything but sex in exchange for sex - not marriage, not a date, not even a phone call the next morning. Women are as free as men to have sex simply for pleasure. No need to maintain a relationship in their busy academic life.
Rihanna’s famous song, “Rude boy’ calls for casual sex:
Come here, rude boy, boy; can you get it up?
Come here rude boy, boy; is you big enough?
Take it, take it baby, baby
Take it, take it; love me, love me


Ultimately, the crux of the matter is whether women truly enjoy the freedom that comes from uncommitted sex. And it is not clear that they do. Instead, as Stepp reports in ‘Unhooked’, many of the women who embrace he hookup culture for some period of time, later come to regret it. Rather than feeling empowered by their conquests, they feel abandoned by the men they thought might be their boyfriends. Rather than whisking blithely from one affair to the next, they are waiting for call for last night's encounter to call them back. Because, the hookup is so clearly not about commitment, though, he rarely does. And the women are left, longing for something they swore they did n’t want.

Girl meets boy; girl loses boy; girl gets boy back and lives happily ever after; the lines of this familiar plot gets twisted into an infinity of permutations. Think of the past five happy movies that you have seen or indeed of any of the great movies that end happily (e.g. When Harry met Sally). Now think of five sad movies (e.g. love story, Titanic or West side stories) They all involve broken marriages or widowed marriages or tragic individuals who never marry at all. This correlation apparently runs straight back to Shakespeare. Virtually all of his comedies end with marriage and all of his tragedies end with the death of lovers who were foiled either in romances or in marriage.

Marriage has never been easy. if it were, as Katharine Hepburn once remarked, they wouldn’t make you sign a contract. It has never been easy; presumably, to bind oneself to one person forever; to share finances, meals, children, old stories and germs till death do you part. That’s why we still sign contracts, why marriage remains a legal state as well as personal one. Because, unlike wedding and sex, marriage is hard. It is hard to organize a life with one person, day after day, for decades. Hard to be a good husband or a good wife.

Today, women and men are grappling with an evolving kaleidoscope of desires and expectation, many of which are wholly contradictory. One place to start might be with the raft of self-help books devoted to these issues. Heirs to the Good Wife’s guide, books such as Maintain a Keeper and becoming the women of his dreams litter the shelves of American bookstores and features prominently on bestseller list. In ‘The Proper Care and Feeding of husbands, for example, Dr. laura Schlessinger perkily tells her readers to “forgive their husbands for being men”. Women, Schlessinger scolds, are unhappy because they are self-centered; because they are focusing on what ‘their men can do for them, and not to what they can do for their men”. The simple remedy, therefore, is to treat husbands better to “roll-over in bed, close your eyes, give him a big hug and remember that without him, you are only a sorry excuse for a person”.

Similarly, in ‘The Surrendered Wife’, author Laura Doyle advises her readers to relinquish any effort to control their husbands and to focus instead on becoming vulnerable, trusting, respectful, and grateful. Remember she writes, to” respect the man you married by listening to him. Give up control to have more power,, Abandon the myth of equality. Say yes to sex. let him solve your problems”

Schlessinger is explicit in her accusations, claiming that women’s unhappiness is a ‘result of the women's movement, with its condemnation of just about everything makes as evil, stupid and oppressive”. 

So what, then are we to do? Is there any way of redressing the domestic contradictions that feminism has wrought?

One obvious possibility be to give up on men, at least in the form husband's.
A second option would be to give up children. This quietly is an option that many successful women have adopted.
the 3rd option is return to the home.

At first step, let me suggest that the quest for perfection simply must end. Clearly, as humans, we have a desire to be better. But women of the post feminist years have taken this quest to the brink, truly of madness.
Remember emotional song of Britney Spears where the girl is looking back the real love after the long tiring hook-up affairs:
I must confess that my loneliness
Is killing me now
Don't you know I still believe
That you will be here and give me a sign
Hit me, baby, one more time



November 3, 2013

Finding your element By Ken Robinson with Lou Aronica



Finding your element By Ken Robinson with Lou Aronica
How to discover your talents and passions and transform your life.

The book comes with lots of useful exercises and I am noting down few.

1 - Meditation
If you can sit comfortably with your back and shoulders straight but relaxed. Close your eyes

Take a deep breath through your nose, hold it for a few seconds and slowly let it out

As you do, try to focus your attention on the flow of your breath. Repeat this slowly four to five times

Then breathe normally for a few min and try to keep focused on the feelings of your breathing

As random thoughts come into mind and they inevitably will 0 don’t try to stop them. Keep your focus on your breathe, relax and just be

After five min to so - even it you can manage it - open your eyes and relax and relax quietly for another couple of minutes.

Change your perspective -
Here are three techniques that you may find esp. helpful.

1. Mind Mapping
2. Vision board
3. Automatic writing

2- What are you doing?
On a large sheet of paper, make a list of keywords or collect some images of all the things you do in a typical week. They might include meetings, emails, cleaning, shopping, socializing, commuting, studying, surfing the internet, listening to music, gardening, watching movies, paying bills, working out, babysitting. Everyone’s life is different. So, what’s yours?

Using different colors, highlight activities that you would naturally group together. That categories might include, for example, pad work, unpaid work, recreation, socializing, hobbies, keeping fit,. Use whatever categories make the most sense to you

On a second piece of paper, draw separate circles for each of these broad categories. make the circles roughly equal to how much time you spend on each of them each week. If you work three times more than you relax, the work circle should be three times as big. Put in each of the circles all the keywords or images that category

Now think about how you feel about all of these things that you do. Do you love your work but not working out? Do you love socializing but not studying? Using three different colors, highlight each item according to whether
a. you like it
b. don’t mind it
c. don’t like it

On a new sheet of paper, draw one large circle and dived it roughly into three segments to show how much time you spend on what you like, don’t mind or dislike doing. How’s it looking? How would the pie slice for a month or a year?

Three element principle
1.Your life is unique
2. You create your own life
3.Life is organic


True North:
Basic problem is that most education system are not based on the three element principles. Vivek Wadhwa is a professor at the Pratt school of engineering at Duke University. He concludes in his studies that there is no link between what you study in college and how successful or otherwise you are later in your life.

Exercise three:

Look through a range of magazines. Cut out images, headlines or words that appeal to you for whatever reason.

Select from these images any that capture some aspect of your current life. Using images that capture the activities you engage in and whether you enjoy them or just get through them

Arrange them in a pattern in any way that captures for you the character and feel of your current life

Feel free to write and doodle on the images. Customize them any wya that feels right to capture the mood of what you are expressing

If you have the technology and inclination, you could also add your own soundtrack

Ask yourself how well this representation of your life expresses your feelings and experiences. Which areas do you feel happiest with and which ones do you want to focus on changing or improving as you look for your element.

Other exercises:
What are you good at?
How do you know?
Branching out
What do you enjoy
What draws you in?
How happy are you?
Circle of well-being
How do you see things?
Where are you now?
Imagine your tribe
Your initial action plan

Bronnie Ware is a writer who worked for many years in palliative care. Her patients suffered from incurable conditions and knew they were dying. She took care of them during the last three to twelve weeks of their lives. People grow a lot, she says, when they are faced with their own mortality. Each experienced a variety of emotions, as expected, denial, fear, anger, remorse, more denial and eventually acceptance. Every single patient found their peace before they departed, though, every one of them.

When she asked her patients whether they had any regrets in their lives or if they would have done anything differently, a number of themes came up again and again. These are the most common ones:

I wish I’d had the courage to live a life try to myself, not the life others expected of me. (Most people had not honored even a half of their dreams and had to die knowing that it was due to choices they had made or not made”)

I wish I hadn’t worked so hard (All of the men deeply regretted spending so much of their lives on the treadmill of work)

I wish I’d had the courage to express my feelings (Many developed illness relating to the bitterness and resentment they carried as a result)

I wish I’d stayed in touch with my friends (There were many deep regrets about not giving friendships the time and effort that they deserved. Everyone misses their friends when they are dying”)

I wish that I had left myself be happier (many people didn’t realize until the end that happiness is a choice)

Terminal patients suggest some principle but important lessons for those with much of their lives still ahead of them.

Here are some of them:

Honor your dreams
Reduce the burden
Value your own life and feelings
Value those you love
Book ends with a beautiful metaphor poem, called risk.

And then the day came
when the risk
to remain tight
in a bud
was more painful
than the risk
it took
to blossom

June 27, 2013

Good prose by Tracy Kidder and Richard Todd



Good prose by Tracy Kidder and Richard Todd
The art of nonfiction - stories and advice from a lifetime of writing and editing.

Our doctrine is that the author and the reader should move along together in full confidence with each other.

I hoped he liked me as well as I liked him. But I also knew that to retain my first impression of him I must not see him again; and needless to say I never did see him again. One was always making contacts of that kind in Spain.

Thoreau wrote: “We commonly do not remember that it is, after all, always the first person that is speaking”

A good writer, like a good lover, must create a pact of trust with the object of his/her seduction that remains qualified, paradoxically, by a good measure of uncertainty, mystery and surprise”

Every story has to be discovered twice, first in world and then in the author’s study.

When we read fictional and factual narratives, we conjure up characters through their deeds: We want to imagine that we know why characters do what they do and feel as they do. We want to understand characters in a story better than we understand ourselves.

I can write better than anybody who can write faster and I can write faster than anyone who can write better. - A.J. Lieblings.

The trouble with this business is that it’s run by a English major.

Books Referenced:

Writing with power by Peter Elbow
The elements of style by William Strunk Jr and E.B. White
Style by Joseph M. Williams and Gregory G. Colomb
On Writing well by William Zinsser
The Chicago manual of style by University of Chicago Press staff
Modern American usage by Wilson Follett